A Note from the Middle Ages The richness and perfection of, the needlework of the middle ages; demonstrate the height to which art had attained.
Illuminated manuscripts, church costumes, and altar cloths were the work of the woman's department, and ladies of noble birth did not hesitate to wield the needle. word embroider is derived from the Arabic and does not belong to any European language.
Eubroidery is the art of adding to the surface of fabrics artistic embellishment and there are numerous grades and styles of the art. {Shaded embroidery (sometimes called satin stitch) can rival the production of the painter, with historical subjects, landscapes, and flowers. The Japanese have reached perfection in this graceful needle-painting. The Arabians and Speed was not the craze in the Moors were prohibited by their! middle ages, and the slow meansi"éligion from using human and of locomotion had much to.io!amimal representations,—conse-by experts to be better to do the small' parts of a design first, for example, buds, stems and lines. The edges of leaves should be done in paler tints than the centres.
In order to blend the shadows properly one must study nature, or painting, and try to carry out the harmony. The centres of full blown flowers are frequent] presented by what is called knotting. This is done by forming loop round the needle and drawing it tightly through the work. One may have several choices in veining leaves, but some slight broidery, Ladies borne in litters,) 406 sabjecis orgioated by, hem solid colour for this purpose. In With, the development of em-quently the arabesque and mores- shading is more effective than a
or drawn along slowly in clumsy this type of embroidery the stitches rather grotesque when compared carriages found time on with European designs. An adapt should be made as long as possible, their hands and relieved the monotony with this gentle and pic- tation of the frame of the Arabs is} deo er colours should be used for keeping in mind always that the turesque art, Women of culture! used to-day for more than two the centres of the flowers. found it about the only creative, thirds of the embroidery we do. "porteaita' and: the wor rk at their command, for Some jame TecuNicat Remarks.
Text read from the printed page and cleaned; old type leaves the occasional error.