The Archive · 1922

CHAPLIN'S VIEWS OF HIS ART

How He Presents the Unexpected:

Great Film Comedian as a Philosopher along the street on foot, I jump into a cab. If I want to attract} meone's attention, instead of him, I pass my cane round his arm and draw him gently towards me.

"To make the public think I'm going to do what they expect, and Charlie Chaplin is taken very|then to do just the opposite is a seriously in Paris. Some critics pure pleasure to me." have discovered in his "mask" a He particularly guards against family resemblance to the finest exaggeration. heads of tne Japanese stylists could kill laughter more easiothers prefer to be reminded of the ly by exaggeration than in any "magnificently learned" expressions other way. If I over did my pecu-of YVelasquez's portraits, the bold, liar walk, if I wore too brutal in bare faces of Albert Ditrer, or knocking someone over, if I chane-something of the precise outline of yed on any excess, it would spoil the Flemish primitives. ithe film."

At least, that is what we are told This interesting little by Louis Dellue in his Charlie which has been translated Chaplin" (John Lane. Price 2s.

Hamish Miles, contains net). To the creative artist of the (excellent photographs cinema, the mask of Charlie Cha-{Chaplin in different films and at phu has just the same importance as the traditional mask of Beet! oven has to the musica) composer, he writes, as a kind of prelude to

Text read from the printed page and cleaned; old type leaves the occasional error.

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