looms large on the fashion horizon an accessory-of the Spring suit. Even the severest tailleur wears a blossom in the buttonhole—perhaps 'a realistic nosegay, perhaps a flat conventional spray in stiffened pique or oilcloth. Patou's pink and black violets are outstanding.
Contrasting blouses are featured by many of the covturiers, with special emphasis laid upon Patou's blouses of opaline wese, which are very smart with the Spring suit in navy, black or black-and-white mix-prod: Ssleeveleas dress of Black flat crepe embroidered in red and green. ture. Printed blouses also are promised a vogue for Spring.
Cloche hats, of the type approved by Rose Descat, and many small close-fitting berets and turbans which are so perfectly done by Agnes will be seen with. the early Spring suit, with honors divided between fabric and straw. The antelope beret introduced earlier in the season by Reboux is especial smart with the carly Spring suit in dark colours and on simple tailored lines.
Very large handkerchiefs—men's zo, in fact—of sheer fabrics, wore shown by Marynowitsky with her sports collection. Plaids, "checks, polka dots and conventionalized floral designs are shown in these huge squares, which will add their touch to the Spring taillur.
Daytime gloves are simple. addition to the classic suede slip-on—slightly longer than last season have glace kid gauntlets, eat with a slight flare, which may be turned back to show a contrasting' ming.
Schiaparelli's hosiery, in fabric weaves with dull finish, have attracted much attention as an acleessory to the Spring-costume. in the bodice and over the hips, is cut with a circular flare,.which is repeated in the rippled peplum of, the jacket.
Text read from the printed page and cleaned; old type leaves the occasional error.