Notes 2re printed for most of the leading banks of the world, including the Banks of Portugal, Spain, Latvia, As the scenes drifted in the Arst act from dreamland to jazzland, and then the last act to a carnival of syncopated rhythm, the versatile danseuses showed themselves capable of being a5 graceful on their toes as they were lively in their tap.
The first act opens in Peggy's nursery. Human dolls propped on the floor, Mickey Mouse scenery, and A. B. G, blocks help to complete the picture of Toyland. Peggy, having had her first dancing lesson, is delighted with her new toe-shoes and refuses to part with them. Taking them fo bed with her, she finally falls asleep and dreams of fairies, gypsies. daneing dolis, and harem queens, all dancing before her.
In the second scene, called "Jazz land," Ann Summers and her pupils depict modern jazz in tap routines, toe-tap, and acrobatic dancing. The second act is a carnival of dance, giving glimpses of some merry Ukrainians, a military parade, and farmers, and ending with a scene on the good ship "Lollypop," with the youngsters as the crew and a tiger rag number by the older pupils. Outstanding performances were given by Joy Blackwood, June Summers, and Miss Sophie Cravohaw.
Mr. J. H. Anderson, with the help of his three children, fooled the audience with magic tricks with his magic wand.
The cast of the "Nick-Nax" review ineluded:—Joy Blackwood, June Summers, Jean Young, Alberta Rodrigues, Patsy Jarvis, Fi Sun, Sophie Craw: shaw, Kathleen Carlisle, Johanna and Adridxn van Herwijnen, Alberta Rodrigues, Regina Yul, Mary Craw-shaw, May Thompcon, Dorothy Drew, Nora Brambleby, Coliette Meadmore, the Andersons, Claude Bouvier, Pegsy Knight, Joyce Knight, Clair Gallop, Doreen Lonborg, Wallen Chen, Sven. Tarby, Peggy Tarby and Martha Mae Moody.
Text read from the printed page and cleaned; old type leaves the occasional error.