Sunday's concert marked the last of the season and as was the case in the previous year, the Choral Society (and affiliated bodies) joined forces with the orchestra. There were only two works on the programme: Brahms Requiem and Beethoven's Fifth piano concerto.
Whatever one says, or has said sbout the Choral Society, words of warm praise are certainly due for the unremitting labour, fired by tireless enthusiasm, which character group. It is a triumph to have maintained so lively an existence for so long, particularly in this town where many amateur organizations have been undermined by the erosive agencies of disinterest and laziness.
The Choral Society (or United Choirs, as it finally turned out to be) Bas had a performance of Brahm's German Requiem in mind since the proportion. This state was enhanced by the feeble condition of the Municipal piano. What we heard of Miss Fausta Saharova indicated that she is a pianiste of sensitive aboli what miscast in a rumibustious work like the "Empero
Text read from the printed page and cleaned; old type leaves the occasional error.