tot us to live in, He says that hho has asked many people whether they love Shanghai, whether they the glad to live here, and almost covery one has said no, that. they. are not thrilled to death with living that they are only enduring being here for a time in order to be happy some place else soon. There-{fore there is an undertone of hope-ass wishing, a counter current of, dissatisfaction against which Shang-bai people must contend. But this attitude, so Mr. Bovingdon thinks, is dangerous. We cannot postpone life. We must be happy now and here. We must not use up our; energy lamenting that we cannot]
somewhere else but we must, make Shanghai a happy and therofore a safe place in which to live. We cannot leave ourselves behind, 130 the thing to do is to get enough energy to dare to live in Shanghai.
There is' plenty of energy availlable, so said this exponent of rhythmic dancing, and the way to get it is through developing posture and dance moods, as a method of contact with the reservoir of energy' resident in our subconsciousness. The mental rhymic disciplines jvsetul in building creation moods were then described and demonstrate jed by Mr. Bovingdon as creative breathing, listening to the heart's! beat, moving to the qolar-plexus pulse, the impulse maturing into an dea, stretching, balancing, hip-torso discipline, Holding postures, fand playful exaggerations.
Text read from the printed page and cleaned; old type leaves the occasional error.