Wife," it is not because of " sense" her interpretation of the Valse! of the ridiculous, but rather that Caprice (Chaminade) demonstrated a great art has been carried that she had lost none of her old through ancient. and imper-charm.
Soaring (Tehumann) by fectly developed art. Amd the Doris Humphreys and the Misses clash of time in the simultaneous ex-, Douglas, Day, Howry and Sherman hibition of both arts produces an' was yet another splcodidly execut effect at often grotesque and yet al- ed piece of work. In conclusion the ays the perfection of all the arts,!company gave a suite of four dances music, colour, the gesture of the, inspired by the art forms of one human body, the poetry of motion." cient Egypt. Ruth St. Denis and Never wai'a Kuan Yin produced in, Ted Shawn were as pi. as of] Xintechen the equal of Ruth St. Denis' yore imiers of the Soil", sri! Jost Friday night. This dance is not agricultural phantasy well conceived fa result of the visit to China but'and executed, Thoth ang Horns was fs rather the dancers' representation done well by Charles Weidman and of a delicate piece of porcelain "The George Steares while the ensemble postures, The fragile: Kuan Yin, Whole company' credit oddest of, Mercy," in. all her dance. with tambourines did "the
delicate as a dream, contrasts per-! zee have been considerable somewhat fiercely with Ted Teduced.
"Spear Dance," Jett massive, almost overwhelming, figure ap powerful as savagery
the perfection not only of the dance but of all movement. of bone and muscle—something so tremendous; that the audience would not be satisfied until the figure was repeat-
Text read from the printed page and cleaned; old type leaves the occasional error.