Moly where he took up the study.
At the outset, one instinctively' sought three factors essential presentation of any opera—a fully bandied orchestra, a well-trained chorus, and an' adequate netting. Maestro Comelli's coviueting left Little to be desired, that ite being the subordination of the brass. The chorus functioned admirably, and much pains had been' devoted' to ths staging. One therefore soon seitied back comfortably to listen to plas of na usual merit.
Signora Gambino's indisposi was clearly reflected in her ing, at first, Less so, hows-er, the developed and her Leonora at times reco to a high, standard. One would wish to hear} her in other reles before expressing any final opinion of her powers, Signor Caeeifo, a tenor of parts, brought to the character of Maurice not only a lovely voice of the robust Min, Yortoat Marsovasta 11te
Text read from the printed page and cleaned; old type leaves the occasional error.