romantic come "It's Love I'm n which Leslie Howard. stalwart young men Scandanavi are a pretty Bette Davis and Olivia de Havilland head the cast, has been completed at and of/the Burbank, Calif, studios and the while their routines leave] picture will go to the cutting room nothing to be des! comparatively having made oth ngo.
The act is)next week for final editing. Adapted to Shanghai, r the screen by Casey Robinson y|from an original story by Maurice Hanline, "It's Love I'm After" pres-Howard in what is reported to
is an old song} be one of the best career, that of a famed Shake-screen roles of We Have spearean actor involved in a double-special ar barrelled romance and seeking to
adoration. frame Archie Mayo directed the mine Nikitina and picture. ballroom dancers, made nal appearance last night. re sailing for Tsingtao to-d eturn to the Paramount is year. which group in Hol ood is most important to motion-pictures, says the "Literary Digest."
Directors are comparatively certain that, without them, the cinema could not function. Cameramen won't bother to discuss it. They know they are the real powers, the make-or-break forces which can destroy a star, and make a nobody glamorous. Actors—ectors are suffused with a profound confidence that motion-pictures would not exist without them. Nor would they.
Neither would they exist without trained, capable, adroit scenarists, Most scenarists are afflicted with mystery blood. They like to look vague and pretend they just work there, but most scenarists are vividly aware of the fact that without them and their careful work talkies would be a shambles In the last year, stunning cool cameramen typewriter that pounders not only have a place in Hollywood, but an extraordinarily important place.
Text read from the printed page and cleaned; old type leaves the occasional error.