But writers had made one serious error. They had killed Garfield off just before the finale—and he was the key man. For weeks, frantic bright boys in the studio writing department tried' desperately to conceive a logical reason for Garfeld's resurrection. It couldn't be done.
Next best thing was to write a istory similar to "Four Daughters" and use the same cast of characters. This was done, and the result was linked to its predecessor by means of the title; "Daughters Courageous." This picture also proved a tremendous hit at the box office, and, just a-few weeks ago, Warners finished another is time a direct sequel to "Four Daughers." t is titled "Four Wives," apd the essential Mr. Garfield is brought before the audience in ghostly form.
Ever since the Warner experience all studios have been bending ears tothe ground for follow-up po: bilities, and, just to play safe, they've urged script writers to keep heroes "lid heroines in a healthy condition at the fade-out. Killing off a prospective sequel hero could, as it did in the Warner cei cost lots of money The Pelicanettes Owing to its popularity the Mazurka number from ast week's foord show at the Pelican has been held. Over and patrons who missed it. will still have an opportunity of seeing this colourful item. The Pelicanettes, seven strong, who. constitute thesentertainment, nightly also present "Crazy Arabs," an ensemble as well. The remainder of the programme is diversified and includes such num: bers. as "Trained Pups," by the Nel. son Sisters and Helga on the accordeon, A waltz fantasy (by Balzak and Swetlova) and "Sacred Lotus," done by Suzanne, round out the floorshow, which accompanied by the versatile orchestra, continues popular.
Text read from the printed page and cleaned; old type leaves the occasional error.