Madame Toni Belling, a new arrival from Europe, started her dancing career in classical ballet, having con-@ucted her own ballet at the Berlin Opera House. Later she became an enthusiast for the rhythm found in "modern" music and has been dancing instructor to the Humboldt Hochschule in Berlin. She also established a "School for bodily and mental education by rhythmical training." She uses tap-steps for the exercises, this being, she says, a new method based on that of Jacques Dalkroze-Heellerau. Madame Belling is working in Shanghai in conjunction with Mr.
Text read from the printed page and cleaned; old type leaves the occasional error.