Schiaparelli gowns, specially d. signed for Mae West's buxom figure, capturing the spirit of the gay nineties in hour-glass curves and feathered hat abandon, will oe the dominant costume motif in La Belle's newest film tentatively titled "Frivolous Sal."
Connoisseurs of the draping art who have been privileged to preview the Schiaparelli models are unanimous in the belief that the fashion fraternity is soon to see another world wide p of style similar to that which accompanied her first film, "She Done Bir Wrong" which changed the fashions of two continent.
Tu the care of the Dionne children, no one of the five is in any way treated as a favourite. The only punishment they are given is being made to stand in a corner.
One marked difference, however, between the new Schiaparelli gowns and Miss West's previous creations is said to be the subtle comi of line and colour which streamlined effect and a modern refinement to the mode.
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